Sound Theory (The Clouds)


In the context of most audiovisual spectacle, from the cinema screen and the mobile phone to the theatre stage or an online platform, the steady protocols of synchronization of the performative, the visual and the aural regularly sustain the nature of our sensorial engagement and become mediators for what we acknowledge as being present
Sound Theory (The Clouds) challenges the continuity of this synchronization. In this challenge visual images are disrupted in their capacity to represent. They rather become sensitive conditions that modulate the way auditory impressions are formed.

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